Midnight Sun

A large round brilliant black diamond — its surface absorbing rather than reflecting, its presence felt rather than announced — set in a white gold claw mount at the centre of a composition built from three metals working in deliberate opposition. Eight fancy yellow sapphires, vivid as struck sulphur, sit at the cardinal and intercardinal points around the black stone. Between them, white diamond marquises in white gold settings radiate outward, each one pointed inward toward the black centre.

The entire head is raised on a rose gold base — open, architectural, with visible gallery work below the stone cluster. From there, a triple-thread rose gold shank fans out and runs fully pavé-set with round brilliant white diamonds along two outer channels from the head to mid-shank, where the three threads converge into a single clean loop.

This is the paradox this collection is named for. The darkest stone in the house surrounded by the most light. Not quiet in volume — quiet in the way that absolute confidence is always quiet.

Shown as concept render — about our design process