Floraison

Three vivid red spinels — a large oval at the centre, two smaller rounds flanking it — clustered in yellow gold four-claw settings in an asymmetric arrangement that mimics the way flowers actually fall, never evenly, never perfectly centred. Around them, a constellation of diamond petals: large marquise stones set in milgrain-edged yellow gold leaf frames, pear-shaped and princess-cut diamonds grouped in smaller clusters, and a scatter of round brilliants filling the spaces between — some in open gold settings, some in pavé groups — creating a field of white light that throws the red of the spinels into relief.

The band is the detail that separates this piece from everything else. A white gold inlay runs the full length of both shoulders, its surface entirely hand-engraved with a continuous wheat and laurel leaf motif — each leaf individually cut, the entire pattern flowing without repetition from shoulder to shoulder. The yellow gold outer loop frames the engraving, so the botanical work is revealed from every angle but contained within a precise architectural line.

Shown as concept render — about our design process