Neon Tide

The stone that opens the collection. A pear-shaped Paraíba tourmaline from Pakistan — blue-green with the neon copper saturation that makes this variety unmistakable — mounted in white gold prongs at the tip and base of the pear, elevated above the band so the colour reads from every angle.

The diamond work is asymmetric by intention. On one side, a sweeping arc of tapered baguettes — arranged in a curved fan, each stone angled slightly differently so the row bends like a wing rather than a bar. On the other, round brilliants and pear-shaped diamonds clustered close to the stone, some bezel-set, some claw-set, packed with the confidence of something that doesn't need to be tidy. The two halves disagree on structure and agree on intensity.

A triple-thread yellow gold shank fans out under the head, the three threads diverging as they approach the gallery and converging again into a single clean loop below.

Shown as concept render — about our design process